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Cal's a different guy than he was when he was 17 years old. So I was endeavoring to find the similarities between the different Cals in those moments."Ĭal's arc hits a crescendo when he arrives home drunk in the middle of the night, promptly pees onto the hardwood floor, and proceeds to unload a lifetime of internalized trauma onto his wife and son.
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Much of it with his penis still out the silent fifth member of the scene. The scene is long and devastating, as Cal vacillates between casual cruelty and delivering long-overdue truths. Dane bounces between tragedy and dark comedy, self-hatred and self-acceptance, and deep-cutting reads on not only his own secrets but those of his family. It's like watching an exorcism, but performed in the foyer of a McMansion. "My first thought when I read the script was, I better start working on this right now! Because it's a lot of words," he says. I mean, you know, Cal is a deeply conflicted character. And he's been living this double-life for the better part of his adulthood. At some point, he's going to reach his breaking point." Men's Health talked to Dane about walking on a knife's edge for the scene, grappling with the expectations we have of masculinity in his own life, and the release of emotional unburdening yourself with you penis out. Men's Health: Cal is the really the only adult character on the show who has a role comparable in size and depth to the younger ensemble. Why do you think he and his story get that distinction?Įric Dane: The younger adults are fantastic and precocious and wonderfully talented actors. But I think the adults play an important role in this story too, because we have to see the dynamics and conditions the younger cast live under. And my son, Nate, is such a central figure in the greater story, and Cal was always going to be a central figure in this piece. He is such a deep and complex character, and I think it's interesting for Sam to explore.
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And I just think Sam likes me better than everybody. When Cal unloads to his family, he talks a lot about being boxed in by the expectations of who he should be. And I'm an emotional guy.” What do you think this character says about the ways we expect of men-particularly men currently in their 30s, 40s, and 50s-to behave?Īt one point he tells his sons, “I’m not allowed to form emotional attachments. I think we expect them to be completely together-stoic and centered and grounded, all these idealized traits that we want in the adults in our lives. And that's just not how things shake out.